In contrast, here is Sean Fennessy's take from March of this year:
Quote:
".......Along with a typically diverse band of collaborators, Albarn dips into Krautrock, funk, and dubstep, as well as the weary, more melodic music he's been perfecting for much of last decade-- sort of an electronic take on baroque pop. Albarn also sounds more comfortable as a leader here than he has in some time. On the standout "On Melancholy Hill", he recalls the swooning strains of one of his heroes, Scott Walker. And when he shares or cedes vocals, he has the good sense to turn things over to luminaries like Lou Reed (magnificently dry-throated on "Some Kind of Nature") and Bobby Womack (good on first single "Stylo", better on the twangy "Cloud of Unknowing"), while effortlessly integrating them into the sound........"
BUT...... He's uninterested in rest of the 'project', an opinion I've heard mirrored by others

.........
Quote:
"Forget the cartoon characters. Damon Albarn and Jamie Hewlett's animated misfits have always been mainly interesting as a concept, and on much of the third Gorillaz album, Plastic Beach, it feels like Albarn and co. are ditching the idea of writing pop songs a cartoon band might front anyway. The one-time Blur frontman has transcended some of the post-modern artifice of this project, and created the group's most affecting and uniquely inviting album. Joke's over, Gorillaz are real....."
http://pitchfork.com/reviews/albums/140 ... tic-beach/